Saturday, February 25, 11 am - 1:30 pm
Listen to enough jazz standards and you’ll start to recognize the same recurring building blocks that comprise the bulk of their chord changes. Familiarity with them can make learning songs much easier, and be invaluable in composing. In this workshop, the instructor will present a number of harmonic devices found in songs, and work with the students on identifying them by ear.
Prerequisite: basic knowledge of music theory and jazz harmony.
About Anton Schwartz
Jazz’s greatest improvisers create music that packs an emotional punch. It’s a lesson that tenor saxophonist Anton Schwartz learned well. Schwartz’s Quintet is Winner of 2016 Northwest Acoustic Jazz Ensemble of the Year. Their latest album, Flash Mob, spent eight weeks in jazz radio’s Top 10 and earned a four-star review in DownBeat magazine, reinforcing Schwartz’s reputation as a passionate but poised improviser and smart purveyor of captivating melodies. Schwartz has performed at jazz’s most prestigious clubs and festivals, including the Blue Note and Dizzy’s (NYC), Blues Alley (DC), Yoshi’s (Oakland), Jazz Alley (Seattle), and the Monterey Jazz Festival. He is a longtime faculty member of the California Jazz Conservatory and has taught extensively at the Stanford Jazz Workshop and the Brubeck Institute.